When Maison Ferrand (parent company of Plantation Rum) purchased the Barbados-based West Indies Rum Distillery in 2017, it came with a bonus: One-third ownership of Jamaica’s Long Pond and Clarendon distilleries. While master blender Alexandre Gabriel is no stranger to Jamaican rums – witness Plantation’s Jamaican vintage rums and blends like O.F.T.D. Overproof–in the past year he’s ventured deeply down the Jamaican rabbit hole. The first visible sign just hit the wires today with Plantation Xaymaca Special Dry announcement – a 100 percent pot still, blended rum from the two aforementioned distilleries.
During my recent visit to Maison Ferrand (home of Cognac Ferrand and Plantation Rum) I posted a picture on Facebook that seemed innocuous enough. The caption read: “If you’re going to drink a cask-strength, 18 year Long Pond marque, the ITP (280 g/hL AA) is highly recommend. Even Mrs. Wonk loved it.”
A few minutes later, someone extremely knowledgeable about the rum industry posted a comment that caught me completely off-guard. The gist of the comment: Long Pond’s ITP marque is known to be in the 90-120 g/hL AA range. How can it be 277 g/hL AA?
I came across a Facebook post recently:
“I’ve been dabbling with aging my own rum. I put a couple liters of the overproof unaged Wray & Nephew into a two-liter oak cask. Anyone have an idea how long it should sit before it mimics the 17-year Wray & Nephew used in the original 1944 Mai Tai?”
After removing my palm from my forehead, I realized it was time to fire up Ye Olde Reality Generator and shed some light on this all-too-common question.
As 2017 draws nigh, it’s time for the traditional year end wrap-up, summarizing the highlights of what appeared here over the last 12 months. Some of what follows could be called self-indulgent navel-gazing; reflections on how my writing has evolved. But I contend there’s also value to you, the reader – it provides a broader context for what the site has become. And who knows, you might have missed a relevant post as the world speeds by.
Here at Cocktail Wonk, we pride ourselves on being on the bleeding edge when covering Lost Spirits and Bryan Davis, famous for their hyper-accelerated aging technology using wood, heat and light. Love what they’re doing or call it sacrilege, it’s always interesting to watch their story evolve.
The latest big news in Lost Spirits land is their impressively high scores in Jim Murray’s 2018 Whisky Bible. Quoting from the press release:
Jim Murray’s famous 2018 Whisky Bible has awarded 94 points and its coveted Liquid Gold designation to Lost Spirits Abomination, a peated malt “aged” in just 6 days utilizing Lost Spirits’ revolutionary patented technology….
Lost Spirits entered two peated malts into the judging: Abomination – Crying of the Puma and Abomination – Sayers of the Law. Both started as Scottish malts so young they cannot yet legally be labeled whisky. The spirits were then finished in California over 6 days utilizing Lost Spirits’ revolutionary patented technology. The Crying of the Puma expression nearly also achieved the Liquid Gold designation, scoring 93 points. No additives or flavorings of any kind were utilized from start to finish.
The technology works by exposing oak to high intensity light and heat while suspended in a glass tube filled with unaged or young distilled spirit. The combination of specific wavelengths of light and heat has been proven to trigger the same chemical reactions that happen in casks aged for many years.
My most recent article on Lost Spirits, including tons of photos of their insane, ever evolving Los Angeles distiller can be found here. And for some deep background on the science of spirit flavors, and how Bryan is hacking the aging process, see this article.
The screech of wood meeting an industrial planer blade pierces the air. One by one, rectangular boards a meter in length meet their fate, emerging from the machinery just a bit more trim and shapely. A few meters away around a corner, huge balls of fire burst to life and subside, leaving behind the evocative smell of charred wood. The background accompaniment to the theatrics is the constant, arrhythmic clanking of metal hitting metal, hammers striking bands of steel. The scene is worlds away from the calm serenity that wine and spirits markets strive to convey in promoting their products.
Outside, it’s a sunny, blue-sky February morning in Jerez de la Frontera, Spain. Federico Sanchez-Pece Salmerón, the director of Communications for Grupo Caballero, has brought us to the Antonio Páez Lobato cooperage, one of several that supply sherry producer Lustau with newly made casks for their sherry wines. The casks being constructed mere inches from us will soon hold sherry, but won’t reside in a place of honor within a sherry solera. Rather, their final destination is far away from Andalucia, where they were born here in the southwest of Spain. But we’ll come back to that later.