Worthy Park: A Jamaican Rum Distillery for the 21st Century

In early 2016, I toured a number of Jamaican rum distilleries as part of a tour organized by WIRSPA and their Authentic Caribbean Rum (ACR) program. What follows is my take on one of the distilleries we visited–in this case, Worthy Park.

Martin Cate is about to be crushed by sugar cane. For someone so passionate about rum, it would be an entirely fitting way to check out. Luckily, Gordon Clarke, Worthy Park’s Co-Managing Director, is watching out for our group, obliviously snapping photos, and yells for us to move out of the way. Loosely held by a giant claw, SUV-sized clumps of cane stalks are traveling rapidly overhead, the occasional stalk tumbling to the ground below.

We’re witnessing firsthand what cane-to-glass really means here at Worthy Park. It’s the fourth and final day of our ACR group’s jaunt over the hilly Jamaican countryside, visiting six distillery sites all told. Each one vividly presents a different angle on the complex, 275-year history of the Jamaican rum industry. Some, like Appleton, have operated continuously from their inception have and become international marquee brands. Others, like Innswood, couldn’t compete as viable distilleries, so live on as mere husks of their former selves.

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An exclusive visit to Jamaica’s historic Long Pond Rum Distillery

In early 2016, I toured a number of Jamaican rum distilleries as part of a tour organized by WIRSPA and their Authentic Caribbean Rum (ACR) program. What follows is my take on one of the distilleries we visited–in this case, Long Pond.

Ruel, our intrepid bus driver, has been through a lot. On a normal day, he ferries busloads of people to hotels, resorts, and tourist sites. However, our five-day visit to Jamaican distilleries has been–quite literally –off the beaten path for him. He’s handled an ever-increasing set of oddball circumstances so far, not the least of which was locating a building with no apparent address in the middle of a sugar cane field. But today goes beyond even that. We are idling at the entrance of what may be the Holy Grail of Jamaican distillery visits.  The mood on the bus is tense as Ruel negotiates with a gate guard. Beyond the chain link fence is what looks to be an abandoned factory, surrounded by sugar cane fields. The guard is completely flummoxed–she’s heard nothing about letting in a busload full of tropical shirt wearing rum junkies.

A garbage truck rumbles up to next us. We on the bus take note of the (non-driving) garbage workers taking swigs from bottles of overproof Jamaican rum. They’re let through the gate. More time passes. Ruel makes a phone call. The guard makes a phone call. Neil Morris, our ACR ambassador, makes a phone call. More waiting. We’re tantalizingly close to the Long Pond distillery, which wasn’t on our scheduled list of distillery visits. However, thanks to yesterday’s successful visit to Clarendon, Long Pond’s sister facility, Neil had managed to pull strings and get permission to poke our nose through Long Pond’s door and peek at the stills. After what seems like an eternity, the guard opens the gate. Victory! We’re in—and have literally no idea what to expect. After all, it really does appear deserted.

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Ground Zero of Jamaican Funk: Going Deep at Hampden Estate

In early 2016, I toured a number of Jamaican rum distilleries as part of a group organized by WIRSPA and their Authentic Caribbean Rum (ACR) program. What follows is my take on one of the distilleries we visited–in this case, Hampden Estate.

Terroir. When we hear it used, we picture the soil of a vineyard in France, the salty sea air of Islay where whisky barrels mature, or locally foraged gin botanicals in the Pacific Northwest. It’s the unique air, water, soil, and scents of a region that make a spirit special – something nearly impossible to replicate somewhere else. Terroir evokes the romance of a particular place and is frequently used by marketers to tell a tale about why their spirit couldn’t be made anywhere else. However the most unmistakably vivid example of terroir influencing a spirit’s character that I’ve yet to witness is at Hampden Estate in Jamaica–and I guarantee you’ll never find it cited in any marketing copy.

Hampden is an old-line Jamaican rum distillery, and by far the most unchanged from how it looked and operated hundreds of years ago. It produces the funkiest, highest ester rum of any Jamaican distillery, the direct result of a fermentation process that can only be described as downright frightening – a dim, hot, damp building where dirt, fungus, cobwebs and who knows what else covers every square inch of stone walls, wooden beams, and old plank floors. Brick-lined pits set into the ground swirl with opaque brown mystery fluid. Nearby, wooden vats hold thousands of gallons of spent rum wash, covered with a thick layer of organic scum. The concentration of fungal spores in the air is off the charts. During Hampden’s several-weeks long, natural fermentation process, it’s exactly these conditions that ultimately result in their instantly identifiable fruity, funky, high-hogo Jamaican rum. This is terroir in the extreme– the ambient conditions contributing to one of the most beloved and unique combination of flavors in the world of spirits. Lest you be seriously worried at this point, the distillation process does an amazing job of separating the good from the bad, leaving you with only tasty, perfectly safe Jamaican rum.

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Inside Jamaica’s Clarendon Distillery: Home to Monymusk Rum and a Certain Captain

In early 2016, I toured a number of Jamaican rum distilleries as part of a tour organized by WIRSPA and their Authentic Caribbean Rum (ACR) program. What follows is my take on one of the distilleries we visited–in this case, Clarendon, part of National Rums of Jamaica.

Rum isn’t always pretty. Awash with images of tropical islands, sugar cane glistening in the morning sun, majestic pot stills, and silent warehouses full of angels taking their share, most people rarely encounter the mass scale and industrial process side of things: Stainless steel fermentation tanks holding 50,000 gallons of molasses. House-sized heat exchanger units. Towering multi-story column stills that look they wandered off from an oil refinery.

Much as we might imagine that all rums are made in picturesque distilleries like St. Nicholas Abbey in Barbados, with barrels resting a few yards away, the reality is that the vast majority of rums–even highly regarded ones–are produced in almost unimaginable bulk and shipped around in tanker trucks. Nary an aging warehouse in sight.  This is the side of the rum world we got to see at Clarendon Distillers Limited (CDL) in Jamaica.

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Innswood: The Jamaican Rum Distillery that Time Forgot

In early 2016, I toured a number of Jamaican rum distilleries as part of a tour organized by WIRSPA and their Authentic Caribbean Rum (ACR) program. What follows is my take on one of the distilleries we visited–in this case, Innswood, part of National Rums of Jamaica.

Ruel is very lost. He’s driven back and forth on a flat stretch of highway flanked by sugarcane fields, looking fruitlessly for our destination. The only two signs in this four-mile stretch appear to have been created during the Kennedy administration and aren’t much help. In the back of his mini-bus are ten rum-obsessed explorers anxiously checking Google maps and scanning the horizon for anything resembling a rum distillery. Ruel makes a phone call. He drives a bit further, stops, pulls over, and makes another phone call. Mind you, this isn’t his fault. He’s already proven himself a highly competent driver: The previous day he bombed through the narrow, twisty roads of Cockpit Country to deliver us to Appleton Estate with nary a missed turn. But today he has the Herculean task of finding Innswood Distillery, which clearly wants to remain undiscovered.

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Behind the Scenes at Appleton Estate with Master Blender Joy Spence

In early 2016, I toured a number of Jamaican rum distilleries as part of a tour organized by WIRSPA and their Authentic Caribbean Rum (ACR) program. What follows is my take on one of the distilleries we visited–in this case, Appleton Estate.

The water source. At distilleries around the world, the first thing you invariably hear about their magical water source. You may be pointed towards a creek, flowing down from the Sottish highlands, as I saw at the Glenrothes, or peer down into deep, black pool emerging from a cave, like I found at the Jack Daniels distillery in Tennessee. But hands down, the most breathtaking water source that I’ve yet seen is at Jamaica’s Appleton Estate. After driving several miles on a bumpy, rutted path through cane fields, we emerge into a clearing with an oblong pond and a small pump house to the side.  A grove of trees shields the far side of the pond, and one end narrows into a stream that wanders through a grassy field, a few cows lazing about in the sun. Surely the dark, aquamarine hue of the water is a trick of the light — perhaps a reflection from the sky. But as I left the car and approached the pond’s edge, my brain slowly accepted that the water really is an almost unnatural shade of translucent blue-green.

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The water source at Appleton Estate
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Water source at Appleton Estate

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Days of Dunder: Setting the Record Straight on Jamaican Rum’s Mystery Ingredient

Hogo. Funk. The smell of overripe banana. Jamaican rum is uniquely beloved in the spirits world for its powerful, easily identifiable pungent fruitiness. Connoisseurs of Jamaican funk utter phrases like “high ester count” and “long fermentation.” But nothing gets the rum nerd more enthused than talk of “dunder,” the mysterious ingredient that allegedly makes Jamaican rum extra funky.

Exactly what comprises dunder is shrouded in mystery, but dig around a bit and you’ll find references to goat heads, dead bats, and worse, churning in a lethal, volatile mass of evil death stored in an earthen pit, presumably somewhere near the distillery for easy access. Heck, even I’m guilty of spreading these tales. Throw a few scoops of this black death into the molasses wash, and voila! Instant hogo. Or so many people think. The reality is far less simple—and way more interesting.

As part of an ACR tour of Rum Industry influencers, including Martin Cate, Camper English, Peter Holland, and Wayne Curtis, I received an intense, behind the scenes look at Hampden Estate, ground zero of high-hogo rums. Standing in the hot, dimly lit fermentation area with distillery manager Vivian Wisdom, we grilled him for nearly an hour on every aspect of how the wash that goes into Hampden’s stills is created. No detail was spared: Fermentation times, pH levels, quantities, we wanted to know all.

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Jamaican Rum Distillery Cheat Sheet

People are always asking me what my favorite bottle of rum is. I always tell that it’s like picking your favorite child. I can’t do it. But I do volunteer that funky, fruity, high-hogo Jamaican rums are what I gravitate towards most. Smith & Cross, Appleton 21, Wray & Nephew Overproof, Rum Fire. I love them all!

Sadly, as I write this, I’ve never been to a Jamaican rum distillery. That’s about to change soon though. Thanks to the Authentic Caribbean Rum program (part of WIRSPA), I’m headed to Jamaica to tour just about every operating rum distillery on the island. A true dream trip for a rum nerd like me.

I always do my homework when opportunities like this arise. I’d read about many different Jamaican distilleries, but keeping them all straight can be a challenge. Who’s still operating? Who owns them? What brands are made in each of them? To help me keep things straight, I wonked out, chasing down as many details as I could find, and compiled the results in the cheat sheet below. It’s not intended as a comprehensive history of Jamaican distilleries, nor does it cover every single associated brand. Instead, it’s about who’s currently producing rum in Jamaica, what are their most well-known brands, and a bit of relevant recent history where needed.

I’ve cited as many sources as I can via links, but it’s entirely possible some sources are out of date. If you see something egregiously wrong, don’t hesitate to drop me an email or comment. I’ll correct ASAP!

Update (4/8/2016): My post for each distillery we visited are here:

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The most important rum company you’ve never heard of: E&A Scheer – Rum Merchants to the World

Walking through the canal district of central Amsterdam can be disorienting to all your senses. The cobbled streets and sidewalks are narrow and filled with what seems an endless stream of bicycles, mobile and stationary. The 17th century-era row houses lining the canals are all similar in style and color — three stories tall and nestled tightly together as far as the eye can see. Every block looks similar to the prior block, austere but beautiful. It’s only thanks to Google Maps that we’ve located a particularly important address, a major epicenter of the rum world. From the street, though, it appears like any other nicely appointed Dutch residence; it’s only sign of what’s inside is a small polished brass plate under the doorbell Mrs. Wonk and I have found our way here on this February morning to visit the inner sanctum of E&A Scheer—a serious heavy hitter in the worldwide rum business, but one you’ve likely never heard of.

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Prohibition Hangover: How the U.S. Three Tier Distribution System Keeps You from the Spirits You Want

It’s Saturday night in Tacoma, WA and I’m perched in my usual spot at the bar at Tacoma Cabana. Tiki master Jason Alexander is showing me his latest well lineup. Strangely, there’s no Plantation rums, typically the core of his lineup. I ask about their omission. “Can’t get ‘em anymore” he says. How can this be?

Plantation parent company, Maison Ferrand has been a darling of bartenders and spirits aficionados for years, selling well-regarded brands like Plantation, Citadelle Gin, Cognac Ferrand, Pierre Ferrand Dry Curacao, and many others. You’ll find their brands on craft cocktail menus all over the U.S. However, here in Washington State, you’ll be hard-pressed to find any of Pierre Ferrand products on a bar menu or liquor store shelf in recent days. But only six months ago, the situation was very different–Ferrand’s products were readily available and pouring into cocktails in bars everywhere. So what gives? The answer is a microcosm of what’s wrong with how liquor is sold in the United States.

Up till recently, Washington stores and bars would order their Ferrand products from American Northwest, a regional wine and spirits distributor. Until one day a new distributor, Crush & Cooper of Washington LLC, announced they were the new Washington distributor for Pierre Ferrand. Hmmmm…. Order fulfillment shifted to Crush & Cooper, and things were running smoothly for months, till one day when the flow simply dried up. American Northwest had filed a lawsuit to prevent Crush & Cooper of Washington from selling a number of products previously distributed by American Northwest, including Ferrand’s. The end result for Washington State consumers (at least in the short term) is that a large number of spirits are suddenly unavailable in bars or on store shelves.

How is this possible? Why does who distributes a product matter? And why can only one distributor sell a product in a given market? If the answers to these questions are a mystery, you’re likely not yet familiar with the byzantine disaster known as the Three-Tier Distribution system. If you set out to design an efficient system for getting a wide variety of goods from producers to consumers, a la Amazon.com, it would look completely unlike today’s existing Three-Tier system. The number of players and regulations involved makes it a minor miracle that anybody in the U.S. has access to more than five brands. Let’s take a look at the Three-Tier, and see how it impacts what liquor you drink.

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